This post has been a long time coming as I have been in the
trenches with a quilt. You know exactly what I am talking about, right? Gritted
teeth, steely eyes, it’s-gonna-be-you-or-me contest of wills. Well, it wasn’t
just that I felt like progress ground to a halt a time or two. Matters were not
helped by listening to the entire Hunger Games trilogy WHILE doing a ten
day juice fast and trying to sew as fast as I could. Do you have any idea how
much Suzanne Collins goes on and on about food? I may or may not have shouted,
“For the love of Peeta, stop talking about bread!...and that lamb
stew!...and…and…freshly roasted game! YOU ARE KILLING ME!” and then I’d sew
some more. The result is a quilt that I
look at and see equal parts beauty and achievement. Strangely, I also seem to
want a snack.
This quilt is a commissioned piece meant to celebrate a high
school graduation. In the conversations leading up to the design, I learned
that Miss E, the graduate, had a special affinity for Winnie the Pooh and the
color blue. Her mother liked classic block structures like rail fence. So, in
short order this quilt became all about the finding the perfect fabric and the
perfect block.
After much searching I finally checked out Etsy. I found a
seller (here) that had out of print Winnie the Pooh panels that were just fantastic;
expensive, but perfect. The fabric looked just like a copy of the illustrations
from a vintage Winnie the Pooh book. I also found a warm honey tonal print with
bees and a pale blue tonal with outlines of Winnie. I really love the quilter’s
reference books with black and white illustrations of classic block patterns.
Those books are a great starting point for blocks and quilt ideas. The particular book I used for this quilt was 1000 Great Quilt Blocks by Maggi McCormick Gordon. I snapped a few pictures of what I felt were
good candidates to go with the vintage-style print. Miss E’s mother chose the
block called God’s Eye.
I decided to make the background pieces all 2.5” with an
assortment of low-volume prints. I love the look it gives. The geeky glasses print
from Riley Blake is my favorite part and is the bridge from vintage to modern.
I also made a few fussy cuts from the Winnie the Pooh illustration panel and
placed six of them throughout the quilt. Winnie is chilling with his friend
Piglet in an ocean of cream, white and gray.
Miss E’s mom shared with me the quote that inspired the
whole Winnie themed quilt.
“Piglet sidled up to Pooh from behind. "Pooh?" he
whispered.
"Yes, Piglet?"
"Nothing," said Piglet, taking Pooh's hand.
"I just wanted to be sure of you.”
We decided to make the quote a permanent feature of the
quilt, so I did some improv piecing and included it in the back of the quilt
ala The Babar Triangle. Really, I think my future as a ransom note writer is
assured. Ha!
I quilted this in a continuous line design. I used a cream
So Fine thread on top and a minty Aurifil on the bobbin. This quilt finished at
48” x 64.”
Every graduate deserves a bit of advice, so I thought I’d
offer up an important formula necessary for college success. Ready?
Winnie the Pooh + God’s Eye + a message from your mother = a
dorm room with LOTS AND LOTS OF STUDYING!
I am mostly kidding. Mostly.